That design is money!. Holger Struppek
0 comentarios / ¡comenta!
Holger Struppek
Holger Struppek is a Design Director at Hot Studio in San Francisco. Prior to joining Hot Studio, he worked at Pentagram in San Francisco.
Aunque estamos en modo vacaciones… aquí tenéis para la discusión un interesante artículo sobre diseño de interfaces… That design is money! A better ATM experience from Wells Fargo by Holger Struppek
Enter your PIN
Wells Fargo hired Pentagram in the fall of 2005 to begin work on a new user interface for their ATMs. Wells Fargo was in the process of replacing their ATMs with newer models with touchscreen monitors. This was a relatively slow process, since there are about 7,000 ATMs in the field, and replacements are expensive. The design efforts were to improve the user experience and satisfaction. Wells Fargo sought a more graceful presentation flow rather than a choppy screen-to-screen feel, and an overall more elegant appearance for the UI.

Simple task, simple screen (mockup of the original blue color scheme). Large dots help you keep track of the number of digits entered.
Interaction Design
Previously, the UI had to run on touchscreens as well as machines with buttons afforded by the hardware. This meant that screen buttons always had to be placed on the left and right sides of the screen in order to line up with the tactile buttons. The decision to decouple the new screen layout from the old “buttons-on-the-side” hardware was one of the most important design decisions for the product.

Comparison of the old and new Main Menu.
With the new UI, we were able to use the entire screen for user input. This came really handy when we approached the workflow for envelope-free check deposits which allow much shorter processing times and the ability to print receipts with an actual image of the check. It also saves the bank processing costs. (leer más…)
Fuente:[physicalinterface.com]





Excelentes y precisas las pautas a seguir que nos regaló Nacho Morató en su reciente artículo:
Alguna vez, el conocido 



